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银魂剧场版:新译红樱篇

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导演:
主演:
杉田智和,阪口大助,钉宫理惠,石田彰,子安武人,青山穰,大西健晴,根本圭子,茶风林,早水理沙,铃木清信,雪野五月,高桥美佳子,千叶进步,中井和哉,铃村健一,太田哲治,山崎巧,大塚芳忠,日野聪,岛本须美,松本和香子,杉本优,小林优,折笠富美子,游佐浩二,立木文彦,三木真一郎,若本规夫,坂口候一,传坂勉,喜山茂雄,利根健太朗,堂坂晃三,宫崎宽务,高桥研二,近藤浩德,石川和之,兴津和幸,冈崎雅纮,田久保修平,高松信司,山寺宏一
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2010
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电影
剧情:
  故事发生在日本的江户时代,一名神秘的男子出现在了武士桂小太郎(石田彰 配音)的面前,他手握妖刀“红樱”,要求试刀,这个夜晚之后,桂便下落不明。桂的宠物伊丽莎白(高松信司 配音)找到万事屋的神乐(钉宫理惠 配音)和新八(坂口大助 配音),委托他们寻找主人的下落。同时,银时(杉田智和)也受到委托,寻找四处作恶的红樱的下落。三人的线索汇聚到了一艘空中飞艇上,由于远离警察的管辖范围,飞艇里的恶势力一手遮天。在那里,银时遇见了曾经的战友现在的对手高杉晋助(子安武人 配音),高杉正带领着自己的鬼兵队企图毁灭江户。一面是穷凶极恶的恐怖分子,一边是暴虐嗜血的妖刀红樱,身受重伤的银时能够平安脱险拯救江户吗?  此次剧场版重制了《银魂》动画中的《红樱篇》,其中,在原作中未出场的真选组也将在故事中大显身手。…

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2010 其他
捷克斯洛伐克60年代新浪潮电影二十五面体
斯特凡·乌赫尔米洛斯·福尔曼JaromilJireš
  The 2-part feature-length documentary "25 ze šedesátých aneb Československá nová vlna" ("25 from the Sixties, or Czechoslovak New Wave") presents a complex view of the phenomenon of Czech and Slovak New Wave in the cultural and social context of the 60's. 25 fundamental films commented on by their makers and film historians offer the viewer a dramatic insight into the golden era of Czechoslovak cinema.  The documentary is a follow-up on the biographical TV series "Zlatá šedesátá" (Czech Television, 2009), based on the filmmakers' personal remembrances. As opposed to the series, the documentary presents the Czech and Slovak cinema of the 60's in the national, international and also inter-generational context. It describes the ways the New Wave crossed the existing artistic boundaries, how it variegated the world cinema and where it left an ineffaceable impression. It analyses the work of filmmakers in a state-funded cinema, under the pressure of ideological demands on one hand and commerce on the other. It presents the dilemma of a man - an artist - on the edge between contradictory social systems and incongruous aesthetic requirements. The existential drama of a man acting freely and at the same time mercilessly crushed by the wheels of the system.  The 60's are, from this point of view, mostly an era of fortunate historical constellation, not only in - at that time - Czechoslovakia, but on a world-wide scale. An era of expectations and upswing, but also an era of exemplary human decisions and artistic pursuit. Those are some of the things "25 ze šedesátých aneb Československá nová vlna" wants to commemorate.  Part 1 comments on:  ■"Slnko v sieti" ("The Sun in a Net," 1962) by Štefan Uher  ■"Konkurs" ("Audition," 1963) by Miloš Forman  ■"Křik" ("The Cry," 1963) by Jaromil Jireš  ■"Postava k podpírání" ("Joseph Kilian," 1963) by Pavel Juráček & Jan Schmidt  ■"Každý den odvahu" ("Courage for Every Day," 1964) by Evald Schorm  ■"Démanty noci" ("Diamonds of the Night," 1964) by Jan Němec  ■"Intimní osvětlení" ("Intimate Lighting," 1966) by Ivan Passer  ■"Ať žije republika" ("Long Live the Republic," 1965) by Karel Kachyňa  ■"Obchod na korze" ("The Shop on Main Street," 1965) by Ján Kadár & Elmar Klos  ■"Romance pro křídlovku" ("Romance for Bugle," 1966) by Otakar Vávra  ■"Sedmikrásky" ("Daisies," 1966) by Věra Chytilová  ■"Ostře sledované vlaky" ("Closely Watched Trains," 1966) by Jiří Menzel  Part 2 comments on:  ■"Kristove roky" ("The Prime of Life," 1967) by Juraj Jakubisko  ■"Stud" ("Shame," 1967) by Ladislav Helge  ■"Svatba jako řemen" ("A Hard and Fast Marriage," 1967) by Jiří Krejčík  ■"Drak sa vracia" ("Dragon's Return," 1967) by Eduard Grečner  ■"Marketa Lazarová" ("Marketa Lazarová," 1967) by František Vláčil  ■"Spřízněni volbou" ("Elective Affinities," 1968) by Karel Vachek  ■"Spalovač mrtvol" ("The Cremator," 1968) by Juraj Herz  ■"Zabitá neděle" ("Squandered Sunday," 1969) by Drahomíra Vihanová  ■"Pasťák" ("The Decoy," 1968) by Hynek Bočan  ■"Případ pro začínajícího kata" ("Case for a Rookie Hangman," 1969) by Pavel Juráček  ■"322" ("322," 1969) by Dušan Hanák  ■"Slávnosť v botanickej záhrade" ("Celebration in the Botanical Garden," 1969) by Elo Havetta  ■"Všichni dobří rodáci" ("All My Good Countrymen," 1968) by Vojtěch Jasný…
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