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主演:
扬·韦里希,艾米丽娅·瓦萨约娃,伏拉基米尔·布劳德斯基,伊里·索瓦克,弗拉迪米尔·门西克,伊日娜·博赫达洛娃,卡雷尔·叶法,弗拉丝塔·赫拉莫斯托娃,AlenaKreuzmannová,史黛拉·查娜克娃,雅罗斯拉夫·马雷什,JanaWerichová,LadislavFialka,KarelVrtiska,瓦茨拉夫·巴布卡,VítezslavCerny,VladimírDvorák
上映:
1963
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HD
类型:
电影
剧情:
  一个童话般的捷克小镇,镇上住著各式各样的怪诞人物,一天镇上来了一位魔法师,这位魔法师拥有一只神奇的猫,只要它戴上眼镜便能看穿人心,叫人无所遁形。它能将说谎的人变成紫色、将小偷变成灰色、不忠诚的人变成黄色,还能将恋爱中的人变成红色,却也引来害怕被看穿的人追杀。这是部带有警示、哲学意味的现代童话寓言,魔幻写实的风格、缤纷七彩的影像,带领我们进入梦幻般的异想世界。…

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1925 其他
造物的奇迹
MargareteSchönTheodorLoosPaulBildt
  Wunder der Schöpfung is an extraordinary, fascinating Kulturfilm trying to explain the whole human knowledge of the 1920s about the world and the universe. 15 special effects experts and 9 cameramen were involved in the production of this film which combines documentary scenes, historical documents, fiction elements, animation scenes and educational impact. It its beautifully colored, using tinting and toning in a very elaborated way. Some visual ideas in the sequences with a space shuttle visiting different planets in the universe seem to have to be the inspiration for Stanley Kubrick's 2001: A Space Odyssey.  In the context of Germany's Kulturfilm phenomenon, Wunder der Schöpfung was among the greatest achievements of the 1920s. The production was constructed, rehearsed, and shot over a period of two and a half years, under the supervision of Hanns Walter Kornblum. The idea to describe the universe and man's place in it well suited UFA's Grossfilm mentality, one year before the Metropolis catastrophe. Hundreds of skilled craftsmen participated in the project, building props and constructing scale models drawn by 15 special effects draughtsmen, while 9 cameramen in separate units worked on the historical, documentary, fiction, animation, and science-fiction sequences. Without star roles or even protagonists, the film's plot is crowded with meticulously structured and skillfully acted single scenes an artful mosaic of small vignettes. No less than four credited university professors ensured the factual background behind the scientific and historical events portrayed.  The film's symbol of progress and the new scientific era is a spacecraft, travelling through the Milky Way, making all the planets and their inspiring worlds familiar to us, with the extravaganza of their distinctive features. The film's educational intentions, however, become steadily more obscure, humorous, or even campy as this popularization project proceeds. With the excuse of presenting the end of the world a not-so-new concept as a new, undeniably scientific truth, the film veers happily along a new path, displaying detailed apocalyptic scenes of the end of mankind. For today's audiences, this amazing film demonstrates how the universe was comprehended in the 1920s, and how that view was sold to contemporary audiences.…
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